It is not clear if this is a good idea. Or even whether it will happen. A considerable amount of irreverent exploration along four main themes:
- Sketches of Musical Thought: A three-volume series of instrumental tracks, including work-in-progress sketches, instrumental versions of songs with words, and more of the same.
- Overlays: A two-volume collection. One consists of the two albums released with words in 2025 ('The Twelfth Ominous Anxiety' and 'Repeat. Blindly.') dropped on top of each other. The other takes 'Mishaps from History' and 'Subtle Antimusic' and does basically the same. What happens to the musical interactions and meanings when the context of the music is dramatically altered through abrupt, blatant combinations of that music? Do they become unlistenable? Do they offer something new? Is it just a grift, spamming the music world with empty nothingness? Focus on the real-time noise of multiple thoughts.
- Drum Automatism: Two albums of drum improvisations recorded over a few months, in which the multitrack recordings have been reorganised following the principles developed for the next theme. Microscale overlays. Are there any other albums solely of drums? Talent and quality as shaped by a highly conforming musical world?
- Chop. Randomise. Recompile. Discard. (C.R.R.D.): An eight-volume series that takes the roughly 374 minutes of all releases from 2024 and 2025 and applies the core compositional concept of C.R.R.D. What happens? A meditation on algorithmic music? A lazy approach to composition? More spamming? Fragmenting into unfamiliar forms? Aleatory joy in an era of banal form.
To offset these (largely) instrumental offerings, the first of this year's releases consists of the usual psychological-political musings, capturing songs written over the last thirty years. To make everything profoundly unbearable, an accompanying text is being prepared that captures a multitude of meaningless musical musings from the beginnings of Lugubrious 78. An exploration of the evolution of ideas or a culmination of years of pretension heated in the timidity of a fictional recording studio (sorry Tzara!). This may see the light of day. It may not.
The album release schedule is as follows:
Album |
Release Date |
|---|---|
Empty Chairs |
29 May 2026 |
Sketches of Musical Thought, Vol. 1 |
12 June 2026 |
Ominous Repeat (Overlays, Vol. 1) |
26 June 2026 |
Broken Streams of Consciousness (Drum Automatism, Vol. 1) |
10 July 2026 |
Cut into Pieces (C.R.R.D., Vol. 1) |
24 July 2026 |
Type I Mood Music (C.R.R.D., Vol. 2) |
7 August 2026 |
Weaponising Therapy (C.R.R.D., Vol. 3) |
21 August 2026 |
Failing to Exist (C.R.R.D., Vol. 4) |
4 September 2026 |
Unstable Mishaps (Overlays, Vol. 2) |
18 September 2026 |
Collage of Sliced Improvisations (Drum Automatism, Vol. 2) |
2 October 2026 |
Creative Inventions of the Deceitful Mind (C.R.R.D., Vol. 5) |
16 October 2026 |
Deflect. Disorientate. Disavow. (C.R.R.D., Vol. 6) |
30 October 2026 |
Click Here to Manipulate Discontent (C.R.R.D., Vol. 7) |
13 November 2026 |
Vacuous End (C.R.R.D., Vol. 8) |
27 November 2026 |
Sketches of Musical Thought, Vol. 2 |
11 December 2026 |
Sketches of Musical Thought, Vol. 4 |
25 December 2026 |